After taking a year off due to the pandemic, Chicago’s premier documentary film festival, Doc10 (June 17-20), kicks off with one of the year’s most musically joyous offerings, Ahmir “Questlove” Thompson’s directorial debut Summer of Soul (…or When the Revolution Could Not Be Televised), winner of the Sundance Film Festival’s Grand Jury Prize and Audience Award. Chronicling the Harlem Cultural Festival in the summer of 1969 thanks to some recently unearthed footage, the film (set for release July 2) will screen at the ChiTown Drive-In in Pilsen (2343 S. Throop St., Chicago) on June 17 at 8:30pm.
The following night, June 18 at 8:30pm, also screening at the Pilsen Drive-In is All These Sons, the latest from filmmaker Bing Liu (Minding the Gap) and Joshua Altman, telling the story of a group of young men at risk of becoming victims or perpetrators of gun violence on the South and West sides of Chicago, and the community organizations that want to set them on a path of avoiding that fate.
The closing night film is Roadrunner: A Film About Anthony Bourdain, an honest and entertaining look at the distinct, passionate life of the late storyteller, explorer, and chef Anthony Bourdain, directed by Oscar-winner Morgan Neville (20 Feet from Stardom; Won’t You Be My Neighbor?), set to be released in mid-July. The movie will screen at the festival’s primary venue, The Davis Theater (4614 N, Lincoln Ave., Chicago), at 7pm on June 20.
Tickets are $17.60 for in-theater screenings and $40-$50 per car for drive-in screenings. There is a 10% discount for students, seniors, military, and frontline workers. The event’s schedule and tickets are available at www.doc10.org. What follows are capsule reviews of all 10 of the works being screening during the Doc10 Documentary Film Festival, in alphabetical order.
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Ailey
Director: Jamila Wignot Saturday, June 19 at 7pm - The Davis Theater Live Q+A via Zoom with Director Jamila Wignot
All These Sons
Directors: Bing Liu and Joshua Altman Friday, June 18 at 8:30pm - The ChiTown Drive-In Live Q+A in-person with directors Bing Liu and Josh Altman
Moving from the deeply personal Minding the Gap to the unflinchingly painful cycle of violence in Chicago’s South and West sides, directors Bing Liu and Joshua Altman (who edited Gap) don’t look directly at the cycle of violence that is plaguing parts of the city with All These Sons. Instead, the filmmakers focus their attention on those attempting to end it, such as community leaders William “Billy” Moore (of Green ReEntry) and Marshall Hatch Jr. (co-founder of MAAFA Redemption Project), who bring together carefully selected young men who they deem most at risk of being either a victim or shooter in their respective neighborhoods. While the film does take a much-needed hard look at the warped definitions of masculinity that seem to be fueling a great deal of the violence, it seems far more interested in looking at the respective neighborhoods’ existing in a kind of communal PTSD, especially among those who have been shot and survived but have no support system in which to process the psychological damage done to them. The filmmakers do a remarkable job selecting the young men upon whom they focus and who represent an array of responses to their situation, their fear, and their avenues to break free of the highly dangerous cycle. All These Sons is about the pain that binds these men and the leaders who attempt to bring them together to process their emotions constructively and effectively. It’s a deeply intimate, raw, and heartfelt triumph. (Steve Prokopy)
Dear Mr. Brody
Director: Keith Maitland Friday, June 18th at 7pm - The Davis Theater Live Q+A in-person with producer/subject Melissa Robyn Glassman
For about a week and a half in January 1970, America lost its collective mind when the 21-year-old heir to a margarine empire announced that he would give away $25 million to anyone who asked for it and was in need. Dear Mr. Brody tells the tale of hippie-millionaire Michael Brody Jr., who meant well but caused such chaos with his kind gesture that he was hounded will tens of thousands of letters, people knocking down his office and home’s front doors, and calls that practically torched the phone lines. And while you may ask yourself why you should care about a spoiled rich guy who made wild claims about his resources and his ability to end the war in Vietnam (drugs may have contributed to his warped state of mind), director Keith Maitland (Tower) tells a parallel story set in the present in which producer Melissa Robyn Glassman decides to start opening as many of these largely unopened letters as she can and even manages to track down some of the people who wrote them (or their closest relatives). What rises to the surface of this elevated cry for attention in Brody becomes a desperate cry for help from a significant portion of the American population who are struggling but enduring because they still have hope. It might not be easy to feel bad for all that happens to Brody, but the movie unlocks a door into a moving and powerful corner of society. At times humorous, harrowing and energetic, Dear Mr. Brody is an unexpected emotional journey. (Steve Prokopy)
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In The Same Breath
Director: Nanfu Wang Saturday, June 19 at 4:30pm - The Davis Theater Live Q&A via Zoom with director Nanfu Wang
My Name is Pauli Murray
Directors: Julie Cohen and Betsy West Saturday, June 19 at 9pm - The Davis Theater Live Q&A via Zoom with editor Cinque Northern
Pray Away
Director: Kristine Stolakis Sunday, June 20 at 1pm - The Davis Theatre Live Q+A in-person with Director Kristine Stolakis and Producers Julie Rodgers, Jessica Devaney, and Anya Rous
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Roadrunner: A Film About Anthony Bourdain
Director: Morgan Neville Sunday, June 20th at 7pm - The Davis Theater Live Q+A via Zoom with Director Morgan Neville
One of the most anticipated documentaries of the year, Roadrunner examines the complicated and emotionally heightened life and career of Anthony Bourdain, from his early years as a mildly successful chef to a celebrated author (Kitchen Confidential) and international television star (Parts Unknown, No Reservations, Cook’s Tour). Unlike many other old-school celebrity chefs, Bourdain was never known for being particularly gifted in the kitchen; Bourdain’s true calling was as a master storyteller and open-minded explorer, and Oscar-winning director Morgan Neville (Won't You Be My Neighbor?, 20 Feet From Stardom) focuses on those aspects of his work.
Through testimonials with some of his closest friends and those who worked behind the scenes with him on his various series, a complete picture comes into focus over the course of the film. It all reveals some of the more troubled and troubling aspects of his personality, especially his tendency to trade one addiction for another. Drugs was a part of his early life, but after quitting cold turkey, he picked up other habits like writing, creating successful television shows, martial arts, championing the #MeToo movement, and throwing himself into being in love, which in some ways, may have contributed to his death by suicide in 2018. Never having watched any of his television work religiously, I was completely unaware of Bourdain’s trajectory or backstory, and Roadrunner does a remarkable job providing the essentials for newcomers while also catering to long-time admirers with rare archival footage, behind-the-scenes looks at his shows, and Bourdain essentially providing the narration for his own story. Neville also does a remarkable job showing the many layers his subject possessed, making it clear that a person can be both deeply empathetic, funny and humanistic, while also being searingly flawed and sometimes cruel—sometimes in the blink of an eye. Bourdain’s personal demons aren’t dwelled upon, but they never quite leave the picture being drawn either, nor should they. Roadrunner is a wonderfully engaging and revealing biography that may alter the way you perceive Bourdain, for better and worse. (Steve Prokopy)
Sabaya
Director: Hogir Hirori Sunday, June 20th at 4pm - The Davis Theater Live Q+A via Zoom with Director Hogir Hirori
Winner of a Directing Award in this year’s Sundance World Documentary Competition, director Hogir Hirori’s Sabaya drops you in the middle of the action almost immediately as it follows a small group of human rights activists in northeastern Syria. Led by the fearless Mahmud and invaluably assisted by “infiltrators” (women posing in hijabs as Muslim women living in the camps), their 24/7 mission is to rescue young women and girls being held inside massive Kurdish prison camps by ISIS as sex slaves (known as “sabaya"). The resulting film plays like an action movie with car chases, shootings and an endless supply of tension, both during the night missions and later, when the women are housed at Mahmud’s home until the women’s families can be notified that they are free, some after being held captive for years. Mahmud’s extremely patient wife hates that he puts his life at risk on a daily basis but dutifully cares for and counsels these young, traumatized women. It takes some time to realize that the filmmakers are in as much danger as their subjects, which only adds to the overflowing drama of Sabaya. With no narration and very little in-depth explanation of what’s going on, the immersive quality of this exceptional film makes it an intense and harrowing. (Steve Prokopy)
Summer of Soul (...Or, When the Revolution Could Not Be Televised)
Directed by Ahmir "Questlove" Thompson Opening Night Film: Thursday, June 17th at 8:30pm - The ChiTown Drive-In Q+A with Director Ahmir “Questlove” Thompson
Marking the feature directing debut from The Roots drummer and “Tonight Show” music director Ahmir “Questlove” Thompson, Summer of Soul pieces together footage that has been sitting in a basement for more than 50 years from the Harlem Cultural Festival, circa 1969, an event meant to unite a community only a year after the assassination of Dr. Martin Luther King Jr. and pay tribute to the many cultures and influences that made Harlem so special at the time. But Thompson does more than edit together a concert film featuring such dignitaries as Stevie Wonder, Nina Simone, the Staples Singers, B.B. King, Gladys Knight, David Ruffin, Mahalia Jackson, Sly and the Family Stone, and even the 5th Dimension; he also places the various music styles (R&B, gospel, Afro-Cuban jazz, blues, and funk) in the context of the times, and makes the point that the event was a huge factor in radicalizing Harlem and the musicians that played the summer concert series. Summer of Soul is just one highlight after another, accented with new interviews with both surviving performers and several of the more than 300,000 people who attended the concerts over that transformative summer, which was meant to both entertain and provide a history of Black music, culture, fashion and messaging. (Steve Prokopy)
Users
Director: Natalia Almada Saturday, June 19th at 2pm - The Davis Theater Live Q+A via Zoom with Director Natalia Almada
Winner of the Best Directing Award at Sundance, Users, the latest work from Natalia Almada (The General) is less a narrative piece and more of a personal visual poem that contemplates the place of technology in our lives. More specifically, it explores the impact technology may have in the connection we have to future generations and how those younger people will react to their flawed elders when tech often provides them with the perfect version of something. While the photography and meditative nature (due in no small part to original music by the Kronos Quartet) of Users is skillfully composed and utilized, I found a great deal of the filmmaker’s observations and fears about the modern world to be fairly familiar and not especially insightful. There are certain examples given that are genuinely concerning, but there are also random shots of nature that don’t really pull the work together the way more hypnotic films in a similar vein have in the past. There’s no arguing that the images are stunning; what’s missing is the connective tissue to bring these fearful ideas to life in a way that is relatable and captivating. (Steve Prokopy)