There have been two murders at Boddy Manor, and the stakes have never been higher. Wadsworth, Yvette, and the dinner guests are becoming increasingly terrified, and no one quite knows where to look. It’s suggested they split up into groups of two to check the rest of the house—a suggestion about which no one is thrilled. However, it’s understood that it must be done, and each individual can only hope their partner does not happen to be the murderer.
As the pairs split, a shift occurs. Lighting designer Ryan O’Gara fills the space with bright moving lights. Sound designer Jeff Human and composer Michael Holland lean into the campy feel with the boppy soundscape. Scenic designer Lee Savage does not disappoint with the countless doors on stage—fully embracing the farcical nature of the play. The ensemble embarks on a fully choreographed sequence, with each pair checking their designated rooms in a way that is full of over-the-top humor and larger-than-life reactions. The scene feels perfectly aligned with a cliché, campy mystery film, and the audience erupted in laughter, clearly loving every minute.
Based on Jonathan Lynn’s original screenplay (which was based on the board game), Clue follows a group of six guests who have unexpectedly been invited to Boddy Manor for dinner. Each has been provided a pseudonym: Colonel Mustard (David Hess), Mrs. White (Donna English), Mrs. Peacock (Joanna Glushak), Mr. Green (John Shartzer), Professor Plum (Jonathan Spivey), and Miss Scarlet (Christina Anthony). Mr. Boddy (Alex Syiek) seemingly has dirt on all six of them, and is ready to blackmail to get what he wants. However, when the lights go out, Mr. Boddy is found dead on the floor. Who killed him? Mrs. Peacock with the knife? Miss Scarlet with the candlestick? With a secret on everyone in attendance, anyone could have the motive. It’s just a matter of whom?
Directed by Casey Hushion, the play captures the classic essence of the original film, complete with homages to the source material. Fans of the movie will recognize all of the favorite characters with their gimmicks. Hushion even includes allusions to the board game. (When Colonel Mustard runs across the stage holding the game map during one of the many chase scenes, the audience in attendance cheered.) Even if you are not familiar with the source material, the excellent comedic timing and commitment to the genre are enough to keep you on the edge of your seat—unsure of which dramatic turn the story will take next.
Hushion’s ensemble as a whole is top-notch. The chemistry is exceptional, and it’s clear that every performer on that stage is leaning into the comedy and having a blast. In particular, one might argue that Wadsworth (Jeff Skowron) has a particularly tough task. Tim Curry originated the role in the film, and that is no small act to follow, especially when leading the ensemble through the story. However, Skowron is hilarious, and he cleverly walks the line between paying tribute to the original character and making the role his own.
When The Cop (Teddy Trice) enters the scene, everyone is in high-panic mode. The Cop could find the dead bodies, and what would they do then? It’s up to Wadsworth to distract, and Skowron leans into the over-the-top humor with ease. He drags the Cop around the stage—creating full distractions with his body as he finds levels—going as far as to drop to the floor or flatten himself against a doorway to ensure the Cop looks another way. The full physical comedy pushed the performance over the top. To say that Skowron earned the audience cheers is an understatement, and he (along with the rest of the cast) deserved the standing ovation at the end.
Full of campy joy and stellar talent, Clue makes for a night of fun for the whole family. Particularly as we move through these winter months, Hushion’s production makes for the perfect excuse to head indoors.
Clue runs through March 2 at the CIBC Theatre, 18 W Monroe St. Tickets run from $36 - $188 for performances Tuesday-Sunday. Run time is 90 minutes without intermission.
For more information on this and other productions, see theatreinchicago.com.
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