Lisa Trifone is Managing Editor and a Film Critic at Third Coast Review. A Rotten Tomatoes approved critic, she is a member of the Chicago Film Critics Association. Find more of Lisa's work at SomebodysMiracle.com
One of the great things about Netflix snapping up some of the best films of the year is how easily the platform can make an incredible film available to millions. […]
There’s no shortage of true crime documentaries on streaming services lately, films and mini-series that chronicle the ins and outs of murders and heists and frauds that audiences eat up […]
As blockbuster after blockbuster gets bumped to 2021—or in some cases, all the way to 2022—film fans have the opportunity to discover movies that in other years might’ve been overshadowed […]
With more than 50 credits to her name (according to IMDb), cinematographer Kirsten Johnson has made a career of observing the world around her and capturing it for us to […]
A few years ago, a couple of great World War II films were released; even more than 70 years after the war ended, it remains a deep source of narratives […]
The premise of Brandon Cronenberg’s Possessor is the sort of sci-fi make believe that’s so outlandish, a bit of comfort can be found in this otherwise unsettling, intense film. The sort […]
Neurologist, author and generally wonderful human being Oliver Sacks died in 2015 after a months-long battle with cancer. On receiving the news that his prognosis was terminal, he wrote a moving […]
As slow-burns where a woman finds herself increasingly unhinged go, The Swerve is a solid debut from writer/director Dean Kapsalis, starring a diminutive Azura Skye in the central role. She […]
The practice of including a “trigger warning” in advance of sharing certain content can be seen as either a considerate editorial choice or an overly “woke” decision that coddles to […]
Generally speaking, I’m always open to a food documentary. The story of a masterful sushi chef who’s influenced a generation from his six-seat restaurant under a train station? I’m in. […]
Like so many other live events, the Chicago Latino Film Festival—which typically takes place in the spring—had to rethink their program in the era of Coronavirus. With time to adjust […]
If the best things are worth waiting for, that certainly goes for poignant documentaries on family ties, legacy and channeling our most complex emotions through art. I first saw Our Time […]