Review: The Color Purple Is As Powerful and Moving As Ever
Every now and then, when I’m feeling particularly down, I’ll queue up this segment from the 2016 Tony Awards: a performance from the 2015 revival of The Color Purple featuring […]
Lisa Trifone is Managing Editor and a Film Critic at Third Coast Review. A Rotten Tomatoes approved critic, she is a member of the Chicago Film Critics Association. Find more of Lisa's work at SomebodysMiracle.com
Every now and then, when I’m feeling particularly down, I’ll queue up this segment from the 2016 Tony Awards: a performance from the 2015 revival of The Color Purple featuring […]
When I was in eighth grade (many moons ago), the internet barely existed, let alone social media. The idea of everyone having their own handheld computer that connected them to […]
Eugene Jarecki is a documentary filmmaker who’s never been afraid to go there, to ask the hard questions and investigate from every angle. His 2005 film Why We Fight, about America’s seemingly insatiable need […]
Let’s get this out of the way up front: Mamma Mia! Here We Go Again, like its predecessor (and smash hit, currently sitting at $144M worldwide gross), is silly from start […]
As the Goodman Theatre opens Pamplona, a one-man show starring Stacy Keach as an aging, rambling Ernest Hemingway, the production’s primary claim to fame may be its rough road to […]
Search the Chicago theater listings far and wide this summer and you will find very few productions with two 50-something women at the center of the production, if any (and […]
—Last month, I was at Chicago Shakespeare Theater to see Macbeth, a brooding, dark tale produced at the Yard, their newest and most versatile stage. Co-directed by Teller (of Penn […]
July has just begun and Chicago is already a couple heatwaves deep into this summer. If you’re jonesing for better A/C than your third-floor walk-up can muster, knock out a […]
The first Tuesday of every month is a special night for Chicago film fans. Where a typical film festival presents all its selections in a truncated timeline—a long weekend or […]
Saoirse Ronan arrived in Joe Wright’s 2007 adaptation of Ian McEwan’s heartbreaking novel Atonement. Now, she returns a decade later to a McEwan work in On Chesil Beach, adapted for the screen […]
I’ve been watching a lot of movies for a long time, and yet I’d be the first to admit I have a lot to learn about the movies. I went […]
On the heels of a well-deserved Oscar win (Best Foreign Language Film for last year’s A Fantastic Woman), Sebastián Lelio returns to theaters this week with Disobedience, a story of love and loss […]