Nancy S. Bishop is publisher and Stages editor of Third Coast Review. She’s a member of the American Theatre Critics Association and a 2014 Fellow of the National Critics Institute at the Eugene O’Neill Theater Center. You can read her personal writing on pop culture at nancybishopsjournal.com, and follow her on Twitter @nsbishop. She also writes about film, books, art, architecture and design.
Slashing, witty and tragic. The Promethean Theatre Ensemble’s minimalist production of James Goldman’s contemporary take on legacy and love, The Lion in Winter, is comic and tragic at the same […]
Mary Page Marlowe is an ordinary woman, living in US flyover country. (How I hate that term.) She has a couple of failed marriages, loses her job as a […]
The Chicago Latino Film Festival launches its 32nd festival this week with a lineup of 74 feature films and 42 short films from Latin America, the U.S., Spain and Portugal. […]
Remy Bumppo Theatre calls itself “think theatre.” And there couldn’t be a better tagline for this company, which takes on some of the most intellectually intriguing scripts in the theatrical […]
[soliloquy id=”3269″] Photos by Michael Brosilow. A friend says that all great stories are about dysfunctional families. Certainly much of the best modern theater is about dysfunctional families. You have […]
[soliloquy id=”3199″] 1809–Thomasina and Septimus. Present–Valentine, Bernard, Chloe and Hannah. Photos by Michael Brosilow. Writers Theatre opened its spectacular new theater in Glencoe this week with an appropriately spectacular production […]
The Chicago European Union Film Festival concludes this week, so if you love watching films with subtitles, this is your chance. See some of the best of European films at […]
While the Republicans were playing clown car with 17 candidates on the debate stage, the Democrats had three. And the best one—I believe the most electable one—never got any traction, […]
When we launched Third Coast Review in January, we defined the Beyond page this way: We’ll go Beyond. Our focus will clearly be Chicago but occasionally—because of travel or whim—we’ll report […]
The Chicago European Union Film Festival continues through the end of March at the Gene Siskel Film Center, 164 N. State St. See Colin Smith’s preview. Each week, we’ll provide brief […]
Lookingglass Theatre’s new production of Blood Wedding by Federico Garcia Lorca, directed by Daniel Ostling, is set in the American Dust Bowl of the 1930s. Lorca’s simple and poetic […]
The Chicago European Union Film Festival runs through the end of March at the Gene Siskel Film Center, 164 N. State St. See Colin Smith’s preview. Each week, we’ll provide brief […]