Britain’s National Theatre Live has been presenting recorded plays in movie theaters for the past few years so American audiences can watch theater from across the pond. Large opera companies have been broadcasting taped […]
Theater Wit in the Belmont theater district is keeping theater alive during the coronavirus shutdown. Live via a livestreamed video that you can view at home on Vimeo. The play […]
It’s always a treat to see a Tennessee Williams play, whether it’s a familiar story like The Glass Menagerie, or a rarely performed play like Not About Nightingales. Theatre L’Acadie […]
What the Constitution Means to Me is partly a lesson in the glories of the 14th Amendment and partly the personal story of domestic abuse against women by the men […]
The playwright conceived it as a reverse minstrel show, with black actors playing in whiteface. But Douglas Turner Ward’s Day of Absence is a lot more. As staged by Congo […]
I Am Not Your Perfect Mexican Daughter is a pretty perfect play, full of youthful exuberance and teen angst, righteous anger and pure joy, and seasoned with tacos and horchata, […]
The Ghost in Gadsden’s Garden is a charming tale (part coming-of-age story, part Scooby Doo mystery) of the new kid looking to fit in after having just moved to town […]
Lifeline Theatre presents Dr. Charles Johnson’s 1990 National Book Award winner Middle Passage, directed by Ilesa Duncan, who co-adapted with David Barr III. The result struggles from the page to […]
Hedda and Nora. The strong female characters in Henrik Ibsen’s two well-known plays—A Doll’s House (currently on stage at Raven Theatre) and Hedda Gabler—established him as a modern playwright of […]
Yes, this is a play about dogs—dogs portrayed by human actors. And they’re not wearing cutesy animal outfits. They are in fact talented actors who have learned the ways of […]
Four men, by turn, tumble onto the scene, thrust, thrown, exploded onto the slick black-and-white skateboard ramp of a set. All is black and white—costumes and set—until the fourth arrives. […]
At first I was puzzled by the audience reaction to Haven Theatre’s opening night performance of Titus Andronicus, Shakespeare’s goriest play (and possibly his worst). Over and over, there was […]