It’s my controversial opinion that you can’t ever truly “spoiler” something. If the work is of worth, then the journey to the ending will render it impactful even if […]
Another in our series of recap reviews for plays that have just opened in some of Chicago’s storefront theaters. Here we have two very different plays but each focuses on […]
Love, Chaos & Dinner is not another night of Grubhub and Netflix, but a true night out on the town for Chicagoans and tourists starting July 18. What does Chicago need […]
Babes With Blades Theatre Company is performing Shakespeare’s Othello with a talented all-female cast at the Factory Theater. The cast is all female, trans, and gender-nonconforming. This otherwise-traditional production demonstrates that with […]
Heartbreaking and hilarious. Both at the same time. First Love Is the Revolution at Steep Theatre is a classic romance where two young people break from their warring families to be […]
There are a few moments of Porchlight Music Theater’s production of A Chorus Line that haven’t aged particularly well. In particular, dated and obscure references to pop culture fall flat, even […]
Guest author review by Katie Priest Reading Interrobang Theatre Project’s description of its new play, Utility by Emily Schwend, I was unsure whether I would be seeing a play with a […]
Djembe! is a Disney-like journey through the history of the West African drum, a kind of “Around the Drum in 80 Minutes” diorama, and that’s OK. The intermission-less musical, in […]
Hannah Arendt is having a moment. There’s renewed interest in this brilliant 20th century political philosopher, probably best known for her writing on the Adolf Eichmann trial in Israel, published […]
Cambodia’s violent and genocidal past doesn’t sound like a story that will have you leaving the theater smiling. But Lauren Yee manages to create a small miracle with her brave, […]
Lottery Day is a party with a guest list of nine. Mallory (a sizzling J. Nicole Brooks) has invited them to her back yard to celebrate, but no one knows what […]
The Cradle Will Rock is a Depression-era operetta about union organizing, class tensions and anti-capitalist fervor in 1930s Steeltown. Classic Stage Company and director John Doyle have created a lively rendition […]