Men are from Mars – Women are from Venus LIVE! arrives in Chicago well-timed after the Valentine’s holiday to shed some light on our relationships. Based on the best-selling book by […]
You know the scene. “A country road. A tree.” Samuel Beckett couldn’t have been more succinct in the scenic direction for his existential classic, Waiting for Godot. That tree takes […]
The outline of Grendel’s Mother visible in dim red light lies on the floor. She stands up realizing her surroundings and begins her seduction. In direct address, she tells the […]
Marina Carr’s 1998 play, By the Bog of Cats, is set in a ghostly bog in the Irish midlands. Hester Swane (a fierce and determined Kristin Collins) has lived in […]
Matt rejects the American dream, but his father and brothers will have none of it. Straight white men rule the world. Matt has to be happy, use his skills and […]
There’s no doubting the timeliness of Selina Fellinger’s play, Faceless. In a world premiere directed by BJ Jones now running at Northlight Theatre, the 22-year-old’s play examines a variety of […]
I will admit that I had a smile on my face when I left the Oriental Theatre after seeing The Bodyguard. But, while I was smiling and singing along with […]
Irish Theatre of Chicago will present staged readings from three emerging Irish playwrights three weekends this month at Chief O’Neill’s Pub on Elston Avenue. The plays, never before produced in […]
At the outset of Elemeno Pea, a Molly Smith-Metzler play at Citadel Theatre, there is arguing. Halfway in, there’s still arguing. The whole show centers on the tired “rich vs […]
It’s the end of the evening, the end of The Wolf at the End of the Block. The lead character, Abe (Gabriel Ruiz) is in a bar, thinking about what […]
Jennifer Haley’s very contemporary play, The Nether, is set in a world we may find all too familiar. Neither real nor unreal. Mostly virtual, in fact, rather like our social media […]
Oh, if only one could jump into the Wayback Machine into the simpler times of Nick Hornby’s 1995 novel and Stephen Frears’ 2000 movie to escape 2017’s dystopia. You can, just […]