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  • Film , Film & TV , Review

Review: In His Sophomore Directing Effort, Michael Keaton’s Knox Goes Away Follows an Assassin Fading Into Dementia

There are few actors as consistent and reliable as Michael Keaton, so it’s almost inconceivable that in his early 70s, the man has only directed two movies: this week’s Knox […]

  • Steve Prokopy
  • March 14, 2024
    • Film , Film & TV , Review

    Review: An Epic yet Shallow Production, House of Gucci Handily Captures the Era—and the Family Dysfunction

    House of Gucci

    It’s either a crime drama, a comedic commentary about the filthy rich, or an anarchic takedown of the ruling classes by the working class. Or a bloated combination of the […]

  • Steve Prokopy
  • November 24, 2021
    • Film , Film & TV , Review

    Review: Martin Scorsese Mines Familiar Mafia Ground for a New Gem in The Irishman

    The Irishman

    Part reunion, part continuation, and part something new and unexpected from arguably the greatest American filmmaker working today, Martin Scorsese’s The Irishman is a sprawling, decades-spanning, true-life tale of organized […]

  • Steve Prokopy
  • November 7, 2019
    • Film , Film & TV , Review

    Review: Quentin Tarantino’s Once Upon a Time…in Hollywood Revisits, Celebrates a Bygone Cinematic Era

    Once Upon a Time in Hollywood

    Like many works by Quentin Tarantino, Once Upon a Time…in Hollywood is an exercise in creation and re-creation, often simultaneously, but never more so than in this love letter/death knell […]

  • Steve Prokopy
  • July 23, 2019
    • Film , Film & TV , Review

    Film Review: Even Al Pacino Can’t Save Hangman From Hanging Itself

    Have you ever watched a movie in which there’s a funeral scene near the end, and the only people in the front row of mourners are the cast members of […]

  • Steve Prokopy
  • December 21, 2017
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