Iranian filmmaker Asghar Farhadi relishes in the ambiguous; or rather, it may be that he excels at exploring the most genuine aspects of our human nature, the fact that very […]

What’s most striking about writer/director Asghar Farhadi’s (A Separation, The Salesman) new film, Everybody Knows, even with strong performances and its setting in lush Spanish wine country taken into account, is […]

Nominated for this year’s Best Foreign Language Film Academy Award, The Salesman reveals to us something that is rarely portrayed in movies from Iran: a detailed look at the country’s […]