He’s cute, curious and loves marmalade, and that’s all we really need to know about the bear Paddington in order to make his adventures in London so damn entertaining for […]
The Third Coast Review film team is on the ground at Sundance Film Festival in Park City, Utah, and will be bringing you periodic dispatches with reviews on the latest […]
This weird little based-on-a-true-story tale about an anonymous letter writer who favors vulgar language primarily works so well because of its beyond-talented leads, Olivia Colman as Edith Swan, the letter […]
The first thing to know about Wonka, the latest film to revisit the Roald Dahl-created candyman and his antics, is that this version is the brainchild of co-writer and director […]
The simple fact is that I likely wouldn’t be reviewing Joyride were it not for the presence of Olivia Colman as Joy, an attorney who is preparing to journey across […]
I have a very clear memory of watching 2004’s Shrek 2, seeing (and hearing) the new character of Puss in Boots for the first time, and thinking “Well, that’s my […]
Italian author Elena Ferrante (a pseudonym, no one actually knows who Ferrante is) has written 11 novels; her four-book Neopolitan series has sold millions of copies, been translated into dozens […]
As we have learned from art and film history, most profoundly inspired and influential artists are also insane or at least unstable to an uncomfortable degree. From director Will Sharpe […]
For as identifiable as some animation studios tend to make their films (Pixar’s refined CGI, Laika’s signature stop-motion, Disney’s doe-eyed princesses, etc.), Sony Pictures Animation has never quite settled on […]
It’s not always easy to adapt for the screen a work originally written for the stage, and the degree to which any such adaptation is successful relies on both the […]
In her first appearance since winning the Oscar for her starring role in The Favourite, where her memorable performance as Queen Anne was only elevated by co-stars Emma Stone and […]
History has rarely been so playfully nasty as it is in the latest from director Yorgos Lanthimos (Dogtooth, The Lobster, The Killing of a Sacred Deer). Set in the court […]