I interviewed director Elizabeth Streb about her upcoming show SEA (Singular Extreme Actions) at Harris Theater. Streb’s work as a choreographer is groundbreaking (sometimes literally). I asked her what distinguishes […]
Without debating whether it’s appropriate to say 2016 was a hard year, it’s undoubtedly been a pivotal year, especially for the Chicago lit scene. The Chicago Review of Books, a […]
Four Food stories resonated with our readers this year. Two of the posts with the most reader visits for our entire website were on the Food page. Hot Dog […]
2016 was a great year for video games. Last year, virtual reality continued its slow march towards mainstream acceptance and has started to become widely available. In addition, we saw […]
As usual, Chicago’s more than 200 theaters—both Equity and non-Equity—provided a magical wealth of productions for theatergoers and theater critics alike. Third Coast Review’s Stages writers reviewed more than 200 […]
A year’s end wouldn’t be complete without copious amounts of “best of” lists, right? That’s why we’ve saved our best for the last day of the year. The Third Coast […]
Beyond is a broad category. As such, it’s been hard to choose just three things that represent the best things we covered in Chicago this year. So much so, I may […]
I’m the damn fool who waits until the year actually ends before rolling out my Best Of… list every year, and that’s because I’m often able to squeeze in about […]
Andrew Lloyd Webber’s The Phantom of the Opera debuted at the Cadillac Palace Theatre, and I can’t give anything but a glowing review of this timeless love story. Rush […]
I’m not sure if it’s the best news or the worst that no one to date has turned a play written by the late August Wilson into a movie for […]
The Guinness tap may not be working tonight at the local pub, but the stout flows freely anyway in this tale of ghost stories and real-life emotion at Irish Theatre […]
Lyric Opera of Chicago’s high-concept reimagination of Mozart’s classic opera, The Magic Flute couples the fantasy of its source material with the imaginative resourcefulness of several children in their backyard. […]