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  • Music , Reviews

Review: An Impassioned Lauren Mayberry “Changes Shapes” at Thalia Hall

Last year, Lauren Mayberry stepped out from Chvrches to release her debut solo album Vicious Creatures. While in the past solo albums have gotten a bad rap, something Mayberry seemed […]

  • Julian Ramirez
  • February 13, 2025
    • Review , Stages , Theater

    Review: Steppenwolf’s Fool For Love Perfects Sam Shepard’s Haunting Work

    The script of Sam Shepard’s romantic drama Fool For Love begins with the stage direction, “This play is be performed relentlessly, without a break.” The superb actors at Steppenwolf Theatre […]

  • Adam Kaz
  • February 11, 2025
    • Art & Museums , Installation , Mixed media , Museum

    Review: Griffin MSI Black Creativity Art Exhibition Teems with Excellence

    Review by Mitchell Oldham.  Coupling innovation and exploration in the sciences with those of the arts represents an enlightened approach to advancing childhood and adolescent development. And for more than […]

  • Mitchell Oldham
  • February 11, 2025
    • Film , Film & TV , Review

    Review: Paolo Sorrentino Searches for Beauty in Parthenope, the Story of a Woman Searching for Herself

    There’s no getting around the truth that Italian writer/director Paolo Sorrentino (an Oscar-winner  for 2014’s The Great Beauty; The Hand of God) is in love with beauty. Often, he focuses […]

  • Steve Prokopy
  • February 11, 2025
    • Dance , Review , Stages

    Review: A Nuanced and Electric Performance from Complexions Contemporary Ballet

    I have always viewed dance as an art of structure and discipline. Traditional ballet has an ethereal quality—tulle and tights with hands just so. Complexions Contemporary Ballet performed at the […]

  • Kathy D. Hey
  • February 11, 2025
    • Film , Film & TV , Review

    Review: Oscar Winner Questlove Returns to Music Docs with Rousing and Insightful SLY LIVES! (aka The Burden of Black Genius)

    There’s simply no way that Oscar-winning director Ahmir “Questlove” Thompson (Summer of Soul) would mess up a documentary about rock/funk/soul icon Sly Stone (real name Sylvester Stewart). But SLY LIVES! […]

  • Steve Prokopy
  • February 10, 2025
    • Film , Film & TV , Review

    Review: Collaborative Documentary No Other Land Offers a Harrowing First-Person Look at Pointless Conflict

    Th news is…a lot right now. Sometimes the easiest, healthiest decision is to just look away. To look inward, to make our circle smaller and focus on what’s right in […]

  • Lisa Trifone
  • February 7, 2025
    • Film , Film & TV , Review

    Review: Valentine’s Day RomComs Get a Murderous Send-Up in Heart Eyes

    It’s almost not fair how filmmaker Josh Ruben (Scare Me, Werewolves Within) is both a knowledgeable cinephile, a gifted filmmaker, and very funny performer, but here we are. His latest […]

  • Steve Prokopy
  • February 7, 2025
    • Music , Reviews

    Review: Chicago’s Most Reliable Punk Band FACS Returns With an Icy New Album

    Having re-emerged following the disbanding of underrated outfit Disappears, local trio FACS have been an integral part of Chicago’s punk scene for some time now. Now half a dozen albums […]

  • Patrick Daul
  • February 7, 2025
    • Music , Reviews

    Review: Tim Heidecker Brings Laughs and Sincerely Great Tunes to Thalia Hall

    Tim Heidecker has too many talents to list from his storied career, so many that I’ll only briefly touch upon a few of them. I’m sure many of my peers […]

  • Julian Ramirez
  • February 6, 2025
    • Review , Stages , Theater

    Review: Timeline Theatre Revisits the American Dream with the Timely Debate: Baldwin vs. Buckley

    James Baldwin is the greatest American writer. Period. Even more so during Black History Month 2025. Among Baldwin’s many, many gifts was prescience. As a gay Black midcentury man, he […]

  • Karin McKie
  • February 4, 2025
    • Review , Stages , Storefront , Theater

    Review: In Trap Door’s The Mannequins’ Ball, Mannequins Are the Movers in a Story That Combines Politics and Partying  

    The new production of The Mannequins’ Ball at Trap Door Theatre is a whole lot of 1930s agitprop choreographed with music, singing and dancing. Nicole Weisner and Miguel Long direct 90 minutes […]

  • Nancy S Bishop
  • February 2, 2025
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