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  • Film , Film & TV , Review

Review: A Stacked Cast Elevates Family Squares Above Its Zoom-Filmed Family Meetings

Another example of pure pandemic cinema is this week’s release of Family Squares, a lightweight but often quite funny work from director and co-writer (with Brad Morris) Stephanie Laing (Irreplaceable […]

  • Steve Prokopy
  • February 25, 2022
    • Film , Film & TV , Review

    Review: The High Note Lacks Harmony in Disjointed, Foolish Plotlines

    The High Note

    One of the things I admired about director Nisha Ganatra’s previous film, Late Night, was that some of its insights into the way male-dominated late night talk shows operated behind […]

  • Steve Prokopy
  • May 27, 2020
    • Film , Film & TV , Review

    Review: Almost Love is a Clunky, Shallow Exploration of All Kinds of Relationships

    Almost Love

    Almost Love, the feature directorial debut from actor-turned-filmmaker Mike Doyle is an often playful but sometimes overly serious look at the shelf life of even the best of relationships. We […]

  • Steve Prokopy
  • April 3, 2020
    • Film , Film & TV , Review

    Review: In Its American Remake, Downhill Loses Some of the Swedish Subtleties

    downhill

    When the critically praised 2014 Swedish film Force Majeure (directed by Ruben Östlund) debuted, it was celebrated as a critical look at the traditional family dynamic, male bravado, and the […]

  • Steve Prokopy
  • February 14, 2020
    • Film , Film & TV , Review

    Review: Self-Involved Where’d You Go, Bernadette Squanders a Stacked Cast

    Bernadette

    There are moments in this adaptation of Maria Semple’s much-loved, quite successful novel Where’d You Go, Bernadette that I absolutely loathed, and part of the reason I felt this way […]

  • Steve Prokopy
  • August 16, 2019
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