Review: Identity and Gender Fluidity at the Heart of the Surreal and Daring Kill the Jockey
I have seen Luis Ortega’s Kill the Jockey (El Jockey) twice this year and am still in awe at the big swings it takes, how it keeps audiences on their […]
Review: Filmmaker Alejandro González Iñárritu Goes Surreal, Contemplative in Sort-of Biopic Bardo, False Chronicle of a Handful of Truths
Having won five Academy Awards, filmmaker Alejandro González Iñárritu (Babel, Biutiful, Birdman, The Revenant) has made his first film to be shot in his native Mexico since 2000’s Amores Perros. […]