Spread throughout the entire month of March, the 26th Chicago European Union Film Festival continues the annual tradition of celebrating emerging voices and providing a showcase of provocative perspectives from […]
Music of the Baroque’s enjoyable London Calling concert was performed at the Harris Theater on February 27 after opening the previous night at Skokie’s North Shore Center for Performing Arts. […]
For today’s travelers, a trip to the airport can bring as much a sense of anxiety as anticipation. Outdated airline scheduling tools and ugly weather patterns can often mean long […]
Like every year, 2022 brought about some great things and some not-so-great things. Seeing as though we’re all about the positives here at 3CR, let me quickly list one great […]
By now if you haven’t played a soulslike game, you know what they are, and have seen the many variations thereof. Scars Above goes the risk/reward gameplay route, but instead […]
With his previous films, writer/director Christopher Landon (Freaky, the Happy Death Day movies, Scouts Guide to the Zombie Apocalypse, and screenwriter on a bunch of the Paranormal Activity movies) seemed […]
Fianna and Regan Kelly are The Kelly Girls, teenagers living in Belfast, Northern Ireland, in the 1960s. But don’t confuse them with the “Derry Girls,” who are happily obsessed with teenaged […]
I can’t recall the last time I’ve been to such a large venue like the Aragon for a sold-out show. Walking around after Del Water Gap finished his set is […]
In order to qualify for the Academy Awards for short films (in the live action, animation or documentary categories), a film must meet two main criteria: one, it must play […]
The first-ever film in the Irish language to be nominated (or even short-listed) for an Academy Award for Best International Feature, writer/director Colm Bairéad’s The Quiet Girl (based on the […]
Not being at all fluent in the writing or life stories of the Brontë sisters (Anne, Charlotte, or Wuthering Heights author Emily), I have no idea how much of the […]
I would never be so bold as to try to paint the new horror-comedy (I’m not sure how else to classify it) Cocaine Bear as any kind of masterpiece, but […]
