Winter seems to be the season for stage fests in Chicago (Rhinofest, Musical Theater Festival, Pegasus’ Young Playwrights Festival, Fillet of Solo) and Gift Theatre, one of our fine storefront […]
This review contains mild spoilers. Lightmatter started as a university project, and then an overnight Reddit success. Developer Tunnel Vision Games decided to turn their project into a full commercial […]
Le Vent du Nord, which translates to North Wind, brought the rollicking traditional music of Quebec to the Windy City on January 8. In kicking off the Old Town School […]
Now playing in theaters nationwide is the powerful and thought-provoking Just Mercy, a true story based on the book by Harvard Law School-educated civil rights defense attorney Bryan Stevenson (played […]
Undertale came out of nowhere in 2015, and became a cult hit. Sure, there were those aware of Toby Fox’s previous work on the web comic Homestuck, but no one […]
Gint Aras (Karolis Gintaras Žukauskas) has been trapped on planet Earth since 1973. He is the author of two novels, Finding the Moon in Sugar (Infinity, 2009) and The Fugue, (Tortoise, 2016), […]
The 23rd Annual Fillet of Solo Festival, running January 10–26, celebrates Chicago’s storytelling and live lit scene at Lifeline Theatre and the Teal Room in Rogers Park. The festival, organized by […]
Saturday Night Sage by Noah C. Lekas Blind Owl Reviewed by Carr Harkrader In Noah Lekas’ new poetry collection, Saturday Night Sage, Buddha’s divine path is paved over with Wisconsin […]
It’s a busy time of year at the movies, as Oscar nominations are imminent and theaters are booked with that odd mix of year-end must-see movies still playing on the […]
American Football seemed like a long shot during the decade and a half between their first and second self-titled albums. So many of the band members were doing their own […]
I spent most of director William Eubank’s (The Signal) newest film, Underwater, on the verge of really liking it, waiting for that one original element to push me over the […]
It seems odd to be reviewing a documentary about a film critic whose influence is still a big part of the critical landscape, in the same way it was surreal […]
